Last year I missed the Banff Film Festival’s World Tour, but did at least catch the Radical Reels presentation in Golden. So in redemption I attended two consecutive nights of films.
Thursday, February 26th:
The Red Helmet – 6 minutes. I’d seen this sort film before, but possibly online since I was struck by how rich and full the images were on the big screen. Like Ephemere from last year’s Radical Reels tour, The Red Helmet takes a simple story as a wrapper for extreme sports. I’m interested in where film making will go with this concept, to the extent that a simple story line serves as an “excuse” to show adrenaline sports what good is it? More maturity might be found when the story is worth telling in its own right and the sports serve the narrative arch as more than an exciting backdrop.
Silent Snow – 13 minutes. The title homage to Rachel Carson’s book is obvious and the film adopts an accusatory stance against all of us living in below the arctic circle for polluting the environment and killing the natives of Greenland. As a documentary the film does a credible job of showing the day-to-day lives of young girls and their fears for their community’s future. It fails to give us an intellectual base for understanding what is happening, or what actions may help. As such, it mostly felt like being emotionally bludgeoned.
Journey to the Center – 55 minutes. I was quite prepared to be bored to tears by a hour film on BASE jumping, but I spent the entire showing engrossed. For starters, the film struck a true narrative by following three BASE jumpers traveling into China to attempt a dangerous dive into a gigantic vertical cave. Their personal histories showed the role BASE jumping had played in their own development. The jump’s dangers were so well explained that the whole audience was absolutely silent at the image of three tiny humans clinging to a steel cable over a 2,000 foot drop. Their fear was palpable and a steel cable never looked so fragile as the shots of it vibrating as they crawled and slid their way to the center. Adventure filmmakers take note: Journey to the Center was a great film not because of an amazing feat.
The Last Frontier – Papua New Guinea – 18 minutes. Another film I’d seen before, only a slightly different edit at Mountain Film. Whether it was the different edit, or the second viewing, I was more favorably inclined to it this time around. I believe this cut had more about the local cultures the kayakers traveled through, which certainly helped blend the expeditions environmental and adventure goals.
Mountain Town: The Cowboy and the Park Goddess – 13 minutes. Thankfully, another character driven film, this one centered around the character-rich mountain town of Aspen. Ski patrolman Mac Smith’s story of his outdoor life and struggle with opening Highlands Bowl after three fellow patrollers were killed doing avalanche work showed real depth and emotion. Isabelle Fallardeau’s tale of taking charge of Aspen’s terrain park construction was a similar tale of rising by loving what you do and taking on the challenges presented. Hardly her fault if her story had less emotional impact than Mac’s.
If You’re Not Falling – 8 minutes. The evening finished up with yet another film I’d already caught elsewhere. Rock climber Sonnie Trotter throws himself again and again at a difficult rock climbing problem – apparently comfortable with the huge falls he has to take for every failure. The final success looks truly appreciated.
Friday, February 27th:
Crux – 12 minutes. Highly entertaining bike stunts in mostly urban settings. No characters, no plot, just fun. Amazing what these guys can do with their bikes.
The Cable Car – 7 minutes. Humorous animated film of an old man alone in a cable car that’s falling apart around him. He struggles against the car’s demise with a roll of tape.
Red Gold – 54 minutes. Tonight’s feature length film was even better than “Journey to the Center” and possibly one of the best films I’ve ever seen at the last 5 or so years of the Banff. The subject is the controversial Pebble Mine project in Alaska, but it’s really about a people’s love of a place they call home. The people are all interesting and the photography lives up to the larger than life Alaskan landscape.
Dosage Volume V: Meltdown – 12 minutes. Technically well done segment showing Beth Rodden’s return to form by climbing increasingly difficult routes leading up to over 40 attempts to climb the route Meltdown. Otherwise, it was pretty standard “climbing porn”.
Shikashika – 10 minutes. Largely un-narrated visual story of a Peruvian family’s weekly trips to a nearby glacier to harvest blocks of ice to sell at the town’s weekly market in the form of flavored shaved ice drinks. Interesting look a tiny aspect of local culture most travelers wouldn’t ever see.
The Fine Line – 25 minutes. Viscerally powerful film about the dangers of avalanches. Real life footage including one accident where the skier filming is caught and you get caught up in the helplessness of her situation while feeling the power of the slide. Several victims relate their I-should-be-dead stories and ponder if the risk taking was worth it. I found it hard to enjoy watching the big lines get skied, even accident free, with all the reminders of the consequences.